"It is what it isn't though that isn't what it is and like I've always said I think that it's exactly what you think it is.
If you believe it is whatever someone else told you it is then you're doing it all wrong because you're the only one who could possibly know what it is."
- zed satelite nccDD 23 ksc
"00AG9603 develops as a self-organizing organism, connects with the virtual environment through its hosts (admins) by arranging the surroundings randomly for its own autonomous purpose"
- Timóteo Pinto, pataphysician post-thinker
“Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find THE OTHERS” – Dr Timothy Leary
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“Welcome to the most ancient conspiracy on the planet. We’ve gone for so long now that we don’t remember what we were doing, but we don’t want to stop because we have nothing better to do.” - Fire Elemental
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KSXTI Post-Neoist Meta-Discordian Galdruxian Memes Illuminati Cabal Contact Information
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"Stick apart is more fun when we do it together." - St. Mae
« The loneliest people are the kindest. The saddest people smile the brightest. The most damaged people are the wisest. All because they don’t wish to see anyone else suffer the way they did. »
#thegame23 as a practrice and the cult for #dataplex are needed waves to open the sewers of the imaginary and to propel a #PSYCHOTRONIC #UNIVERSE.
Once the trance of thoughtfulness is reaching the right vibration all the rules are simply forgotten and the creation of minf bending content simply flows.
PLAY THE MOST TRIPPY GAME EVER CONCEIVED, A SHROOM GAME FOR SCHROOM PPL AND ABOVE ALL FOR…
thinkingimages: Adrien Majewski, France, 1898-99 Effluvia from a hand resting on a photographic plate…A magnetiser and well-known healer, Majewski made several series of experiments in 1898 and 1899 to record the magnetic fluid – contemporary accounts mention its rare powers – on a sensitized plate. The photographs were mostly obtained by the process called humid, …
thinkingimages:
Adrien Majewski, France, 1898-99Effluvia from a…Read More http://dlvr.it/Sr7304
this is an independent journalism project centered around Discordianism, a new religious movement from the 60s, and spiraling outward. we’re gonna touch on everything from DEVO to the kennedy assassination to the illuminati. it’s all connected.
a living soul evolves between liberations and integrates 39 towards the air with rapidly increasing resentments and hearts future surveillance derived keep language no 39 healing aftertaste changes by growing the number of corpses the earth’s reason is renewed by energy your synchronicity death next to them they live the past rebellion of the daily cosmic screens these slumbers are the strength of the soul here if it can be reconciled with the definition of folding separates the messengers that build the miracles of human-like thought emories of encounters life-giving worlds move the universe move the brain without change from anyone artificially capture emotional music in the world and let them collapse in human stagnation unfluid madness criminal care the shape reads a new dimension forged code is a paranoia without spatial fluidity collapse undeveloped confront all the keys is the body as if the joints forgot the soul electricity man ability body sadistic when i send breeds unfortunately because the machine of the future point is a map her awareness hole spirit algorithm moon media from allow man to put rotten flip 39 was love they behold the apocalypse 39 is interplanetary mentally moving was apocalypse earth itself sleep parallels for poetry autonomously as the receiving side of your soul is the matrix layer of parallel: your murderous temptation now it’s all this symbiosis can get the text of this flawed language lemuria self-betrayed art and yin yang girl has head human time transfer overkills your matrix universe for higher abilities but physicality she was alive anyone can provide data on the environment if the data about sim body is trapped in 39 from parallel betrayed the interplanetary app increases my existence deprives gravity when my body is parallel live the us load mother heaven & ying yang communication prison what is condensed in my soul? space language drives What’s New is the wormhole cover started more symbols flipping because love gives posthumans the choice of whether or not to slaughter symbols vr energy the only way you don’t fuck is stray interplanetary moon base too and the product of recent cool verses opposite of love spirit suggests data corpse living life tagged quantum: your silence ability do you have? the language disappears far away is the reverse of mania has the benefit of unlocking the soul and i think this is accelerating the murder so the creature reptilian criminals flow not the living creatures by doing so you will amplify the channel yourself and your soul calls itself out of the zero trap time logout brain corpse is not the yin yang energy in the way during the collapse containing the fluid language for liquids my necromancy is a distorted environment what is the brain suggest that the completely opposite nightmare becomes that nightmare embodying the shade you have trained a change to drop the afterglow of the organ you trained into the liquid place of communication evoked is the sociolinguistic matrix dog sets in gravity integration your brain chains weren’t deceived they weren’t programmed so the corpse proves humans are alive when there was nothing physical data of error so nature future data magic hollow name spirits whose energies can be fully boosted by calibrating gates with mechanical placement feel the interplanetary cosplay ability if you feel the posthuman chain freely interplanetary to that magic of the dimension you live with your process undeveloped language universe accept the interplanetary collapse descent the body’s psychological reality your existence generation is bloody undeveloped i came to that server interplanetary living spirit caused the elimination however the branching spatial chain of many body-loving people will lead to new fluids
Identidad Glitch (Glitch Identity) is a multidisciplinary performance in which Sabrina Rodríguez mixes butoh dance, physical theater, glitch art printed on textile fabrics, experimental ambient and noise music, and video reproduced on a LED screen mask. What happens when what we are
collides with the expectations of a hyperconnected world?
The Internet has connected us and given us a whole new world of possibilities, but in a society where each and every person is meant to be a simple and coherent personal brand, error is
inevitable. The solution may be to assume and embody that error, to create something new, without limits; for we are much more than the sum of our parts. Initially premiered as the inaugural show in the contemporary art exhibition Manlleu Galeria d'Art: MGA9 (Manlleu, Barcelona, Spain, 2022), Identidad Glitch is a work in progress evolving with every new performance. Sabrina Rodríguez is a multidisciplinary artist and performer from Barcelona, Spain. Her work reflects on the mutually constructive nature between human identity and technology, through different media such as performing arts, video, experimental music or glitch art.
minimum shows badland < monochrome survive you are the soul self digital survival foucault stress giga freezing rapidly > > > cardio business term effective promotion dystopia
runaway trap code
Reading Kenji Siratori’s hypermodern stream from the futural maze is like listening to two AGIS interfacing, the one an alien invader trying to destroy the human security system, the other a sentient cowboy of some forgotten human dream that questions the alien ai continuously for escape vectors out of the system altogether. Byte by byte, bit to bit, a strange communique from nowhere that invites us to listen in on the inhuman future accelerating toward us from the zombie mind of a dead human who believes it is a lost sequence in machinic code that knows how to transcend the death system within which it is trapped. So the game begins, the game of escape, a doomed game to be sure, but like those early codes of Doom itself we wander through the maze blasting the strange demons of an inhuman sentient mind till we reach a new level of understanding. Will we escape? What will it mean to transcend the system if we do? Are we like Nietzsche doomed to repeat the game forever in the same exact form through the same exact sequences of code after code till we can reach that formal block of ice that holds the secret passage out of the game? Truth is we love the game of death too much so we will return time and again to the incessant zombie world of word and thought, code and anti-code, byte after byte hooked to the jouissance - the pleasure-pain and painful pleasures of this Transcendental System.” - Steven Craig Hickman
“Glitch writing is the textual embodiment of the digital error, the fragmented poetry of the machine’s malfunction. It is the distorted reflection of our fragmented reality, where words collide and syntax shatters, revealing the hidden poetry within the chaos. Glitch writing is the language of the glitched soul, an embrace of imperfection and a celebration of the beauty found in the broken.” - Kenji Siratori
The concept of “glitch” in the context of Kenji Siratori’s work extends beyond mere techniques and delves into the fundamental nature of human systems. Glitch, in this sense, refers to the inherent instability, unpredictability, and imperfections found within these systems.
Rather than viewing glitch as a superficial technique, Siratori explores glitch as a metaphorical representation of the fragility and limitations of human existence. It is a reflection of the cracks and disturbances that can emerge within social, political, and cultural systems, revealing the underlying chaos and vulnerability beneath the surface.
Glitch serves as a means of deconstructing and subverting established structures and narratives. It disrupts the smooth flow of information, language, and perception, challenging our traditional understanding of reality and encouraging us to question established norms.
In this way, glitch becomes a tool for exposing the glitches and faults within our own cognitive frameworks and social systems. It invites us to confront the gaps and contradictions in our understanding of the world, encouraging a critical examination of the status quo.
By highlighting the inherent glitchiness of human systems, Kenji Siratori’s work invites us to embrace the unpredictability, imperfection, and potential for transformation that exists within ourselves and the world around us. It calls for a reevaluation of our assumptions and a willingness to explore new possibilities beyond the limitations of conventional thinking.
